‘Everything, Everywhere, All at Once’ is Wonderful, Beautiful Madness

Coming off of last month’s X, I didn’t think it was possible for me to love A24 any more than I already did. Boy, was I wrong about that. If you have even a casual interest in film, odds are you’ve been hearing quite a bit of buzz about Dan Kwan and Daniel Scheinert’s (or simply Daniels, as the duo call themselves) new film Everything, … Continue reading ‘Everything, Everywhere, All at Once’ is Wonderful, Beautiful Madness

Sex and Violence as an Art Form in Ti West’s ‘X’

Ah, A24. You bring us so much wonderful, weird horror. From slow, understated supernatural dramas like It Comes at Night and Witch to visceral, chaotic nightmares like The Lighthouse and Midsommar, A24’s horror selection has touched on just about every subgenre that could comfortably fit within the boundaries of what some critics have (somewhat obnoxiously) dubbed ‘elevated horror.’ These are ‘respectable’ horror films, movies that … Continue reading Sex and Violence as an Art Form in Ti West’s ‘X’

Darkness, Hope, and ‘The Batman’

Another year, another Batman reboot. I kid, of course. It’s been five years since we’ve seen the Bat on the big screen, with Ben Affleck’s version appearing in the disastrous 2017 Justice League movie that I think we’d all just like to forget. Since that particular outing left a bad taste in the mouth (and with previous appearances not faring much better), it’s safe to … Continue reading Darkness, Hope, and ‘The Batman’

Someone Please Just Put ‘Texas Chainsaw’ Out of Its Misery

The Texas Chainsaw Massacre franchise is… a mess. In 1974, with the release of Tobe Hooper’s now-classic original entry, the series hit the ground running stronger than pretty much any of its contemporaries, save maybe John Carpenter’s OG Halloween. Yet despite this strong start, and the status of its mascot killer Leatherface as a genuine pop culture icon, the Texas Chainsaw sequels have crashed and … Continue reading Someone Please Just Put ‘Texas Chainsaw’ Out of Its Misery

‘Pig,’ and Why We Should All Worship the Ground Nic Cage Walks On

I will defend Nicholas Cage until my dying breath. Sure, he’s a little eccentric. And okay yes, maybe he doesn’t exactly always make the smartest career choices. There’s The Wicker Man, of course. And Ghost Rider. Knowing. The second Ghost Rider. You get the idea. Some real stinkers. And sadly, because of that, there seems to be a consensus within the public, pop-culture consciousness that … Continue reading ‘Pig,’ and Why We Should All Worship the Ground Nic Cage Walks On

‘Scream’ is the Best ‘Scream’ Since ‘Scream’

Meta commentary is, for better or for worse, everywhere in film these days. Movies are increasingly self-aware, self-referential, and self-deprecating, to varying degrees of success. When done well, a movie written in this fashion can be witty and intelligent, savvy in its own genre tropes enough to lampshade and subvert them. When done poorly, however, a movie that tries too hard to be cleverer than … Continue reading ‘Scream’ is the Best ‘Scream’ Since ‘Scream’

How ‘Ouija: Origin of Evil’ Taught Me to Never Count a Franchise Out Too Soon

Ouija is a godawful movie. And this is coming from a guy that likes most of the Leprechaun films. Trying to cash in on the Ouija board IP that Hasbro currently holds trademark over isn’t an inherently and idea. In fact, the Ouija board as a piece of horror iconography is so ingrained in the spirit of the supernatural that, frankly, it’s a no-brainer. And … Continue reading How ‘Ouija: Origin of Evil’ Taught Me to Never Count a Franchise Out Too Soon

‘Maximum Overdrive’: Stephen King’s Brain on Drugs

Stephen King is perhaps the most prolific and pop-culture-influencing author alive today, particularly within the horror genre. No one else has produced as many iconic, fan-favorite scary stories as the Maine native has throughout his decades-long career. From Carrie all the way up through to The Outsider, King has been steadily cranking out gruesome hits since the early 1970s, and shows no signs of stopping … Continue reading ‘Maximum Overdrive’: Stephen King’s Brain on Drugs

‘Re-Animator:’ Lovecraftian Horror in it’s Most Delicious, Digestible Form

I hate H.P. Lovecraft. Sure, I love the meme-ry of his work in pop culture, all the references to Cthulu, Elder Gods, and Old Ones, all that fun stuff. I know the Shoggoths and the city of R’lyeh, and I’m pretty well-versed in all the horrors of Dunwich and the madness in the mountains. But man, his writing is just… no fun. At all. Lovecraft … Continue reading ‘Re-Animator:’ Lovecraftian Horror in it’s Most Delicious, Digestible Form

‘The Strangers:’ Why a Consistent Atmosphere Matters

It’s a fun experience, revisiting a film you haven’t seen in a long time. Especially one that you haven’t seen since you were younger. When you’re a kid, everything seems to hit harder. Comedy is funnier, horror is scarier, you get the full range of emotions in a much stronger way than I think we do as adults. Granted, we’re also idiots at that age, … Continue reading ‘The Strangers:’ Why a Consistent Atmosphere Matters